Sema and Nuclea are two sculptural works that explore the notion of the core: what is contained, protected, and in the process of forming.

Developed from a shared formal language, their organic volumes are articulated through solids and voids, suggesting an interior presence that remains unseen yet fundamental. The forms appear both dense and fluid, evoking a material in transition.

Sema takes on a more contained character, suggesting origin and latent potential. Nuclea, by contrast, is more open and expansive, presenting the same material language in a state of outward development.

Conceived as a pair, the sculptures can also be presented individually, each engaging with space through a quiet and structural presence.