Conceived as a contained silhouette, a presence, Umbra unfolds in a dialogue between sensuality and structure, the meticulously crafted and the inate primal.

Each curve retains the trace of a gesture, like a seam hand-stitched into matter, a draped movement suspended between tension and release.

The artists imagined this texture like a hybrid, cratered leather, where light glides and catches like on molten rock. The grain is deliberately in relief, its sheen slightly exaggerated, so that the piece catches the light with greater intensity, as if taking on a life of its own.